But Silver Mag had disappeared. Had the underworld, prompted by
the Magpie, solved the riddle--did it know, or guess, or suspect that
Silver Mag was Marie LaSalle?
Which was it? The Crime Club, or the Magpie? Here again he could not
know, though he inclined to the belief that it was the latter; but here,
in either case, the means of knowing, of helping her, the way, the road,
was clearly defined--and the road was the road to the underworld. But
Larry the Bat was dead and the road was barred. And then a half finished
painting standing on an easel at the rear of his den had brought him
inspiration. It was one of his hobbies--and it swung wide again for him
the door of the underworld. None, in a broken-down, disappointed,
drug-shattered artist, would recognise Larry the Bat! The only
similarity between the two--the one thing that must of necessity be the
same in order to explain plausibly his intimacy with the dens and lairs
of Crimeland, the one thing that would, if nothing more, assure an
unsuspicious, tolerant acceptance of his presence there, was that, like
Larry the Bat, he would assume the role of a confirmed dope fiend; but
as there were many dope fiends, thousands of them in the Bad Lands, that
point of similarity, even if Larry the Bat were not believed to be dead,
held little, if any, risk.
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