They are all before me as I write. The little fat green one at the end
of the row is Lamb's _Essays of Elia_: he so well fits some moods, and
certain minutes of the day, that gentle writer. Next is my _Pilgrim's
Progress_, the one I have had since my tenth birthday. Father gave
each of us a copy when we reached the mature age of ten. It was only
on high days and holy-days that we were allowed to look at his
own treasured copy, which stayed behind glass doors in the corner
book-case. The illustrations, I know now, were very fine, and even
then we found them wonderful. Then comes my little old Bible. I
coveted it for years before I got it because it had pages like
five-pound notes; I value it now for other reasons. Next the Bible
is Q's _Anthology of English Verse_, its brave leather cover rather
impaired by the fact that for two mornings Boggley, having mislaid his
strop, has stropped his razor on it. Lastly comes my Shakespeare.
Sometimes in a night-marish moment I wonder what the world would have
been like had there been no Shakespeare. Suppose we had never known
Falstaff, never heard the Clown sing "O Mistress Mine," never laughed
with Beatrice nor masqueraded with Rosalind, never thrilled when
Cleopatra "again for Cydnos to meet Mark Antony" cries "Give me my
robe, put on my crown; I have immortal longings in me."
What would we do when surfeited with the company of those around us if
we couldn't creep away and pass for a little while into the company
of those immortals? What does it matter how tiresome and complacent
people are when I am Orsino inviting the Clown to sing words the utter
beauty of which bring the tears to my eyes:
"O fellow, come, the song we had last night:
Mark it, Cesario; it is old and plain:
The spinsters and the knitters in the sun,
And the free maids that weave their thread with bones,
Do use to chant it; it is silly sooth,
And dallies with the innocence of love,
Like the old age.
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