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Wilson, Harry Leon, 1867-1939

"Somewhere in Red Gap"


Ain't it downright disgusting!"
Uncle Abner said this as one supremely conscious of his own virtue. He
himself was descending to no foul pretense.
"A murderer, is he?"
I opened my cigarette case to the man of probity. He took two, crumpled
the tobacco from the papers and stuffed it into his calabash pipe.
"Sure is he a murderer! A tough one, too."
The speaker moved round a corner of the barn and relaxed to a sitting
posture on the platform of the pump. It brought him into the sun; but it
also brought him where he could see far down the road upon which his
returning employer would eventually appear. His eyes ever haunted the
far vistas of that road; otherwise he remained blissfully static.
It should perhaps be frankly admitted that Uncle Abner is not the
blacksmith of song and story and lithographed art treasure, suitable for
framing. That I have never beheld this traditional smith--the rugged,
upstanding tower of brawn with muscles like iron bands--is beside the
point. I have not looked upon all the blacksmiths in the world, and he
may exist. But Uncle Abner can't pose for him. He weighs a hundred and
twenty pounds without his hammer, is lean to scrawniness, and his arms
are those of the boys you see at the track meet of Lincoln Grammar
School Number Seven.


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