Within those doubled figures of the tragi-comedy she seemed to see, to
feel that passionate love--too swift, too strong, too violent, sweet and
fearful within them.
"Thou hast my heart, and I am thine for ever--
To-night and for ever I am thine!
What is there left to me? What have I but a heart that is broken?"
And the clear, heart-aching music mocking it all, down to those last
words:
La commedia e finita!
While she was putting on her cloak, her eyes caught Summerhay's. She
tried to smile--could not, gave a shake of her head, slowly forced her
gaze away from his, and turned to follow Winton.
At the National Gallery, next day, she was not late by coquetry, but
because she had changed her dress at the last minute, and because she
was afraid of letting him think her eager. She saw him at once standing
under the colonnade, looking by no means imperturbable, and marked the
change in his face when he caught sight of her, with a little thrill.
She led him straight up into the first Italian room to contemplate his
counterfeit. A top hat and modern collar did not improve the likeness,
but it was there still.
"Well! Do you like it?"
"Yes. What are you smiling at?"
"I've had a photograph of that, ever since I was fifteen; so you see
I've known you a long time."
He stared.
"Great Scott! Am I like that? All right; I shall try and find YOU now.
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