This movement is called the will. The will, therefore,
becomes the active principle in virtue of which speech is expressed;
thus speech is the express agent of the will. It is speech, in fact,
which, under the incubation of this mysterious power, rules, groups and
moves bodies with the aid of memory.
Inflection is the life of speech; the mind lies in the articulative
values, in the distribution of these articulations and their
progressions. The soul of speech is in gesture.
Breathing.
Breathing, according to its form of production, is: (1) Costal or
combined; (2) diaphragmatic; (3) costo-diaphragmatic.
Breathing is a triple act based upon three phenomena: Inspiration,
suspension, expiration. From the successive predominance of each of
these three phenomena, or from their equal balance, result eighty-one
respiratory acts, which may be reduced to three terms: The breathing is
_normal, spasmodic_, or _sibilant_.
There are three questions to be considered in regard to breathing:
1. How should it, the breath, be produced to gain the greatest
development for the voice?
2. What place should it occupy in speech?
3. What aspect does it assume under the influence of the passions?
In other words, three characters may be attributed to respiration:
Vocal, logical, pathetic or passional.
_Vocal Respiration._
The lungs constantly contain a quantity of air, which is the source of
life and with which we cannot dispense without inconvenience to health
and to the voice.
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