This harmony is regulated by three
states, namely: The tonic or eccentric state, the atonic or concentric
state, and the normal state. It, therefore, remains for us to fix the
three vital conditions of the static part of gesture. The vital
condition of the static is based upon the knowledge of the nine
stations. The spirit of the static entails the study of scenic planes
which embrace three conditions: The condition of the personage in
relation to the scenic centre or to the interlocutor whom he addresses;
in the second place, his situation; and, finally, the direction assumed
by his body in regard to the conditions already indicated.
The soul of the static is in the harmonic opposition of the surfaces
moved.
The most powerful of all gestures is that which affects the spectator
without his knowing it.
From this statement may be deduced the principle that: Outward gesture,
being only the echo of the inward gesture which gave birth to it and
rules it, should be inferior to it in development and should be in some
sort diaphanous.
Attitudes of the Head.
The head, considered in its three direct poses, presents three
conditions or states. When facing the object contemplated, it presents
the normal state; bent forward and in the direction of the object, it
presents the concentric state; raised and considering the object from
above, it presents the eccentric state. [Compare Delaumosne, page 65.
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