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Various

"Delsarte System of Oratory"

Under this law, then,
come all of the arts, inasmuch as each, differing in subjects treated
and in means of execution, still has a common mission, namely, the
revelation of impressions, the intelligible expression of the thoughts
and feelings of man. To be more clearly understood, I will from this
point consider separately the different branches of aesthetics.

_Art--Dramatic, Lyric and Oratorical._

The proclivities necessary to an artist, actor or orator (intelligence
being the first consideration and beauty of minor importance) are:
expansion, sensibility or at least impressionability; a ready
comprehension of the works to be interpreted, if not the requisite
capacity to execute them. One's particular vocation (or congenial line
of work) is the first condition in either of these departments of art,
and into the consideration of this must enter that of physical beauty
such as the roles demand; always considering what has been named "the
physique" of the situation. In a word, these three aspects of art
correspond to the predominance of that modality which Delsarte calls
"life;" this with the complementary share of the other essentials to
maintain a symmetry; this for the average "chosen." As to the
individuality necessary for the creation of a role, general statements
cannot apply. It is one and entire for each. Should it reproduce itself
identically, it would no longer be individual.


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