C., X, 36, R*D**RD K*PL*NG
OUT OF HARM'S WAY, A.C. B*NS*N
PERKINS AND MANKIND, H.G. W*LLS
SOME DAMNABLE ERRORS ABOUT CHRISTMAS, G.K. CH*ST*RT*N
A SEQUELULA TO "THE DYNASTS", TH*M*S H*RDY
SHAKESPEARE AND CHRISTMAS, FR*NK H*RR*S
SCRUTS, ARN*LD B*NN*TT
ENDEAVOUR, J*HN G*LSW*RTHY
CHRISTMAS, G.S. STR**T
THE FEAST, J*S*PH C*NR*D
A RECOLLECTION, EDM*ND G*SSE
OF CHRISTMAS, H*L**RE B*LL*C
A STRAIGHT TALK, G**RG* B*RN*RD SH*W
FOND HEARTS ASKEW, M**R*CE H*WL*TT
DICKENS, G**RGE M**RE
EUPHEMIA CLASHTHOUGHT, G**RGE M*R*D*TH
THE MOTE IN THE MIDDLE DISTANCE
_By_
H*NRY J*M*S
It was with the sense of a, for him, very memorable something that
he peered now into the immediate future, and tried, not without
compunction, to take that period up where he had, prospectively, left
it. But just where the deuce _had_ he left it? The consciousness of
dubiety was, for our friend, not, this morning, quite yet clean-cut
enough to outline the figures on what she had called his "horizon,"
between which and himself the twilight was indeed of a quality
somewhat intimidating. He had run up, in the course of time, against
a good number of "teasers;" and the function of teasing them back--of,
as it were, giving them, every now and then, "what for"--was in him so
much a habit that he would have been at a loss had there been, on the
face of it, nothing to lose.
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