The
_idem_, the same impression, is to be restored; but _in alio_, in a
different material,--by means of some different instrument. For instance,
on the Roman stage there was an art, now entirely lost, of narrating, and,
in part of dramatically representing an impassioned tale, by means of
dancing, of musical accompaniment in the orchestra, and of elaborate
pantomime in the performer. _Saltavit Hypermnestram_, he danced (that is,
he represented by dancing and pantomime the story of) Hypermnestra. Now,
suppose a man to object, that young ladies, when saving their youthful
husbands at midnight from assassination, could not be capable of waltzing
or quadrilling, how wide is this of the whole problem! This is still
seeking for the _mechanic_ imitation, some imitation founded in the very
fact; whereas the object is to seek the imitation in the sameness of the
impression drawn from a different, or even from an impossible fact. If a
man, taking a hint from the Roman 'Saltatio' (_saltavit Andromachen_),
should say that he would 'whistle Waterloo,' that is, by whistling
connected with pantomime, would express the passion and the changes of
Waterloo, it would be monstrous to refuse him his postulate on the
pretence that 'people did not whistle at Waterloo.' Precisely so: neither
are most people made of marble, but of a material as different as can well
be imagined, viz.
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