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De Quincey, Thomas, 1785-1859

"Note Book of an English Opium-Eater"

The wretches were ashamed of their own nature, and
perhaps with reason; for in their own denaturalized hearts they read only
a degraded nature. Addison, in particular, shrank from every bold and
every profound expression as from an offence against good taste. He durst
not for his life have used the word 'passion' except in the vulgar sense
of an angry paroxysm. He durst as soon have danced a hornpipe on the top
of the 'monument' as have talked of a 'rapturous emotion.' What _would_ he
have said? Why, 'sentiments that were of a nature to prove agreeable after
an unusual rate.' In their odious verses, the creatures of that age talk
of love as something that 'burns' them. You suppose at first that they are
discoursing of tallow candles, though you cannot imagine by what
impertinence they address _you_, that are no tallow-chandler, upon such
painful subjects. And, when they apostrophize the woman of their heart
(for you are to understand that they pretend to such an organ), they
beseech her to 'ease their pain.' Can human meanness descend lower? As if
the man, being ill from pleurisy, therefore had a right to take a lady for
one of the dressers in an hospital, whose duty it would be to fix a
burgundy-pitch plaster between his shoulders. Ah, the monsters! Then to
read of their Phillises and Strephons, and Chloes, and Corydons--names
that, by their very non-reality amongst names of flesh and blood, proclaim
the fantasticalness of the life with which they are poetically connected--
it throws me into such convulsions of rage, that I move to the window, and
(without thinking what I am about) throwing it up, calling, '_Police!
police!_' What's _that_ for? What can the police do in the business? Why,
certainly nothing.


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