She is pretty and small, with large clinging eyes.
JOAN. Am I all right behind, Freda? That beast, Dot!
FREDA. Quite, Miss Joan.
DOT's face, like a full moon, appears over the upper banisters.
She too comes running down, a frank figure, with the face of a
rebel.
DOT. You little being!
JOAN. [Flying towards the drawing-roam, is overtaken at the door]
Oh! Dot! You're pinching!
As they disappear into the drawing-room, MABEL LANFARNE, a tall
girl with a rather charming Irish face, comes slowly down. And
at sight of her FREDA's whole figure becomes set and meaningfull.
FREDA. For you, Miss Lanfarne, from my lady.
MABEL. [In whose speech is a touch of wilful Irishry] How sweet!
[Fastening the roses] And how are you, Freda?
FREDA. Very well, thank you.
MABEL. And your father? Hope he's going to let me come out with the
guns again.
FREDA. [Stolidly] He'll be delighted, I'm sure.
MABEL. Ye-es! I haven't forgotten his face-last time.
FREDA. You stood with Mr. Bill. He's better to stand with than Mr.
Harold, or Captain Keith?
MABEL. He didn't touch a feather, that day.
FREDA. People don't when they're anxious to do their best.
A gong sounds. And MABEL LANFARNE, giving FREDA a rather
inquisitive stare, moves on to the drawing-room. Left alone
without the roses, FREDA still lingers.
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