Could I have
judged, indeed, by the wild, overstrained air of vivacity with which
he hearkened, or apparently hearkened, to the words of the tale, I
might well have congratulated myself upon the success of my design.
I had arrived at that well-known portion of the story where Ethelred,
the hero of the "Trist," having sought in vain for peaceable admission
into the dwelling of the hermit, proceeds to make good an entrance by
force. Here, it will be remembered, the words of the narrative run
thus:--
"And Ethelred, who was by nature of a doughty heart, and who was now
mighty withal, on account of the powerfulness of the wine which he had
drunken, waited no longer to hold parley with the hermit, who, in
sooth, was of an obstinate and maliceful turn; but, feeling the rain
upon his shoulders, and fearing the rising of the tempest, uplifted
his mace outright, and, with blows, made quickly room in the plankings
of the door for his gauntleted hand; and now pulling therewith
sturdily, he so cracked, and ripped, and tore all asunder, that the
noise of the dry and hollow-sounding wood alarummed[26] and
reverberated throughout the forest."
At the termination of this sentence I started, and for a moment
paused; for it appeared to me (although I at once concluded that my
excited fancy had deceived me)--it appeared to me that, from some very
remote portion of the mansion, there came, indistinctly, to my ears
what might have been, in its exact similarity of character, the echo
(but a stifled and dull one certainly) of the very cracking and
ripping sound which Sir Launcelot had so particularly described.
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