One Whitemash, a compositor I had known in London,
an excellent workman, now came to me, and work'd with me constantly
and diligently; and I took an apprentice, the son of Aquila Rose.
I began now gradually to pay off the debt I was under for the
printing-house. In order to secure my credit and character as a tradesman,
I took care not only to be in reality industrious and frugal,
but to avoid all appearances to the contrary. I drest plainly;
I was seen at no places of idle diversion. I never went out a fishing
or shooting; a book, indeed, sometimes debauch'd me from my work,
but that was seldom, snug, and gave no scandal; and, to show that I
was not above my business, I sometimes brought home the paper
I purchas'd at the stores thro' the streets on a wheelbarrow.
Thus being esteem'd an industrious, thriving young man, and paying
duly for what I bought, the merchants who imported stationery
solicited my custom; others proposed supplying me with books,
and I went on swimmingly. In the mean time, Keimer's credit
and business declining daily, he was at last forc'd to sell his
printing house to satisfy his creditors. He went to Barbadoes,
and there lived some years in very poor circumstances.
His apprentice, David Harry, whom I had instructed while I work'd
with him, set up in his place at Philadelphia, having bought
his materials.
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