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Lee, Sidney, Sir, 1859-1926

"Shakespeare and the Modern Stage with Other Essays"

They may convert the
thoughtless into the thoughtful. Wide as are the ranks of
Shakespeare's readers, they are not, in England at any rate, incapable
of extension; and, whatever is likely to call the attention of those
who are as yet outside the pale of knowledge of Shakespeare to what
lies within it, deserves respectful consideration.
It is never inconsistent with a nation's dignity for it to give
conspicuous expression of gratitude to its benefactors, among whom
great writers take first rank. Monuments of fitting character give
that conspicuous expression. Bacon, the most enlightened of English
thinkers, argued, within a few years of Shakespeare's death, that no
self-respecting people could safely omit to erect statues of those who
had contributed to the genuine advance of their knowledge or prestige.
The visitors to Bacon's imaginary island of New Atlantis saw statues
erected at the public expense in memory of all who had won great
distinction in the arts or sciences. The richness of the memorial
varied according to the value of the achievement. "These statues," the
observer noted, "are some of brass, some of marble and touchstone,
some of cedar and other special woods, gilt and adorned, some of iron,
some of silver, some of gold.


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