Prev | Current Page 231 | Next

Lee, Sidney, Sir, 1859-1926

"Shakespeare and the Modern Stage with Other Essays"

Part of Shakespeare's message on the subject is so
well known that readers may need an apology for reference to it; but
Shakespeare's declarations have not, as far as I know, been
co-ordinated.[34]
[Footnote 34: In passing cursorily over the whole field I must ask
pardon for dwelling occasionally on ground that is in detached detail
sufficiently well trodden, as well as for neglecting some points which
require more thorough exploration than is practicable within my
present limits.]
Broadly speaking, the Shakespearean drama enforces the principle that
an active instinct of patriotism promotes righteous conduct. This
principle lies at the root of Shakespeare's treatment of history and
political action, both English and Roman. Normal manifestations of the
instinct in Shakespeare's world shed a gracious light on life. But it
is seen to work in many ways. The patriotic instinct gives birth to
various moods. It operates with some appearance of inconsistency. Now
it acts as a spiritual sedative, now as a spiritual stimulant.
Of all Shakespeare's characters, it is Bolingbroke in _Richard II._
who betrays most effectively the tranquillising influence of
patriotism.


Pages:
219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243