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Lee, Sidney, Sir, 1859-1926

"Shakespeare and the Modern Stage with Other Essays"

In the mouths of his professional fools he
places many reductions to absurdity of what he calls the "simple
syllogism." He invests the term "chop-logic" with the significance of
foolery _in excelsis_.[26] Again, metaphysics, in any formal sense,
were clearly not of Shakespeare's world. On one occasion he wrote of
the topic round which most metaphysical speculation revolves:--
We are such stuff
As dreams are made on, and our little life
Is rounded by a sleep.
(_Tempest_, IV., i., 156-8.)
[Footnote 26: The speeches of the clown in _Twelfth Night_ are
particularly worthy of study for the satiric adroitness with which
they expose the quibbling futility of syllogistic logic. _Cf._ Act I.,
Scene v., ll. 43-57.
_Olivia._ Go to, you're a dry fool; I'll no more of you: besides you
grow dishonest.
_Clown._ Two faults, Madonna, that drink and good counsel will amend:
for give the dry fool drink, then is the fool not dry: bid the
dishonest man mend himself; if he mend, he is no longer dishonest; if
he cannot, let the botcher mend him. Anything that's mended is but
patched: virtue that transgresses is but patched with sin; and sin
that amends is but patched with virtue.


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