Prev | Current Page 163 | Next

Lee, Sidney, Sir, 1859-1926

"Shakespeare and the Modern Stage with Other Essays"

Such distortions are impossible in the
production of the piece in its entirety. Throughout _Hamlet_, in the
full authorised text, the artistic balance hangs true. Mr Benson
recognised that dominant fact, and contrived to illustrate it on the
stage. No higher commendation could be allowed a theatrical manager or
actor.

IV
Much else could be said of Mr Benson's principles, and of his
praiseworthy energy in seeking to familiarise the playgoer with
Shakespearean drama in all its fulness and variety, but only one other
specific feature of his method needs mention here. Perhaps the most
convincing proof that he has given of the value of his principles to
the country's dramatic art is his success in the training of actors
and actresses. Of late it is his company that has supplied the great
London actor-managers with their ablest recruits. Nearly all the best
performers of secondary roles and a few of the best performers of
primary roles in the leading London theatres are Mr Benson's pupils.
Their admission to the great London companies is raising the standard
of acting in the metropolis. The marked efficiency of these newcomers
is due to a system which is inconsistent with any of the accepted
principles of current theatrical enterprise in London.


Pages:
151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175