The lines are familiar; but it
is necessary to quote them at length, in fairness to those who judge
them to be a defence of the spectacular principle in the presentation
of Shakespearean drama. They run:--
O for a muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act,
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, gentles all,
The flat unraised spirits that have dar'd
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts,
The perilous narrow ocean parts asunder;
Piece out our imperfections with your thoughts;
Into a thousand parts divide one man,
And make imaginary puissance:
Think, when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth.
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