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Early Proposals for a National Memorial of
Shakespeare in London 214
II. The Cenotaph in Westminster Abbey 215
III. The Failure of the Nineteenth-century Schemes 217
IV. The National Memorial at Stratford-on-Avon 219
V. Shakespeare's Association with London 226
VI. The Value of a London Memorial as a Symbol of his
Universal Influence 228
VII. The Real Significance of Milton's Warning against
a Monumental Commemoration of Shakespeare 230
VIII. The Undesirability of making the Memorial serve
Utilitarian Purposes 235
IX. The Present State of the Plastic Art. The
Imperative Need of securing a Supreme Work of
Sculpture 236

INDEX 245


SHAKESPEARE AND THE MODERN STAGE


I
SHAKESPEARE AND THE MODERN STAGE[1]
[Footnote 1: This paper was first printed in _The Nineteenth Century_,
January 1900.


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